Wednesday 27 April 2011

A new poem: The Ring

The Ring

for Pete and Anna James

 

 

And if I said a part of me

leapt from a skyscraper

as I took your trembling finger

that would be utterly true,

 

each tiny syllable detonating

in my throat: forsaking;

till death; who had kept

a promise once, a week,

 

then dined out on the story

with whoever would listen.

Your beaming smile had none of it:

Don’t say a word you can’t mean.

 

Sounding twelve and looking it

I jammed the ring onto you,

knowing nothing of honesty

except you honestly looked gorgeous.

 

So believe me when I say

I would stand and face you again,

promise everything a second time,

this time to savour the words.

Tuesday 26 April 2011

UKLA Reading Campaign materials: all in one place - from the UK Literacy Association

UKLA Reading Campaign materials: all in one place!

Tuesday, February 01, 2011 . Posted by Trish

Over the last few months UKLA has been publishing a range of different materials in order to influence and inform the current debates about the teaching of phonics and the proposed reading test for six year olds in England. This news item gathers them all together in one place.

The booklet Teaching Reading: What the evidence says can be downloaded below.

UKLA’s Statement on the proposed ‘light touch’ ‘reading’ test for 6 year olds can be downloaded below.

Professor Greg Brooks’ critique of the test can be downloaded below.

UKLA’s responses to the questions contained in the DfE’s consultation about this phonics test for 6 year olds can be downloaded below.

UKLA’s Fact Cards on the teaching of reading can be downloaded below.

 For further details about each please refer to the separate entries in the news pages or read David Reedy’s latest President’s Blog.

Light Touch Test

Gerg Brooks' Critique

UKLA Response

UKLA Fact cards

Teaching Reading

Please send this link to as many people as possible.

Saturday 23 April 2011

Why Jamie's Dream School is not about education


You have to hand it to Jamie Oliver for giving it a go. How he kept so positive confronting all those damaged dreams and fragile egos is beyond me. Working with those teenagers could not have been easy, either. Bless him, he remains one of the few people, adults or pupils, to come out of Jamie's Dream School with his reputation intact.

But here is why his project has nothing to do with education (and everything to do with TV ratings).

Generically JDS has more in common with reality shows like Big Brother, Brat Camp or Tool Academy. These shows are the projects of well-educated TV professionals who delight in making their audience laugh/gasp in shock/anger/horror at badly behaved and not so well-educated young people as they mouth off at each other (and anyone in authority).

A recent sbubset of this televised 'reality' is what could be called 'story-curve TV'. In this construct the protagonists must be shown to move from diastrous beginnings (Simon Callow and David Starkey), overcome immense obstacles (low self-esteem, resentment towards authority) and end in triumph (a 'well-behaved' visit to 10 Downing Street), complete with accompanying platitudes about what has been 'learnt'. In this sense JDS is no different from Grand Designs or Wife Swap.

This is a toxic mix, coldly calculated to bring out the Daily Mail reader in every viewer, tacitly engineering our response so that we all become complicit in what Stephen Ball calls the 'discourse of derision', where everyone, teachers and pupils alike, is condemned as useless or feckless.

To achieve this JDS is based on two profoundly insulting premises. First, we are asked to take it as read that the previous teachers of these children are failures (otherwise why would they be there, with '0 GCSEs grade A-C' brandished next to their name each time they are interviewed?). Second, and just as pernicious, is the premise that being an 'expert' is a good enough qualification to teach. (I hope Michael Gove watched the early episodes featuring the aforementioned Starkey and Callow and now understands that merely transmitting facts to young people is not a secure model upon which to base an entire education system).

There were highlights, of course. Some of the teachers seemed to get the measure of the task at hand straight away (Alastair Campbell and Cherie Blair) while others who had slow starts achieved good results by changing their course based on a more dialogic pedagogy (Andrew Motion). 

But we should not pretend that JDS revealed very much about the complexity of teaching; nor did it explore in any depth the underlying issues in these young people's lives.

All that matters is that they shouted and swore in the right places, occasionally said they liked something and gave Jamie a hug in the driveway at the end. The premise of this outwardly well-meaning programme is as cynical as that.

 

Wednesday 20 April 2011

National Association of Writers in Education :: Arts Council Funding cuts

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A fantastically short-sighted decision by the Arts Council. NAWE's programme of training, research and policy engagement for writers, teachers and pre-service teachers in the field of writing in education is second to none. Cutting NAWE is a bad decision for all of us who care about writing, education and writers in schools. Please visit their website and make your comments known.

Sunday 17 April 2011

Why teacher training should stay in universities -by Francis Gilbert in The Observer

No article on matters educational is complete without a disquisition on standards. So here's one, right at the top. The coalition's plans to replace teacher-training at university with on-the-job learning will mean that standards – standards in teaching, that is –will almost certainly decline. And, ultimately, our children's education will suffer.

I've been a teacher in various comprehensives for more than 20 years and have come to appreciate just how crucial it is that the majority of our teachers are trained at university.

Currently, more than 33,000 are trained this way, usually studying for a postgraduate certificates in education (PGCE). Those I've watched coming through this route in the last decade have been highly able and, perhaps more importantly, confident, independent thinkers. Contrary to the stereotype of the hapless, ill-informed student teachers who struggle with rioting classes, they have, for the most part, been great subject specialists and maintained formidable discipline.

There are huge advantages to training within an academic environment. First, universities are ideal places for teachers to improve and develop their subject knowledge. Universities, unlike schools, can offer the trainee real experts in the field and can top up a trainee's expertise with relative ease.

Second, a teacher needs to understand in a systematic fashion just how children learn. Great strides have been made in this area and the trainee can examine in depth the ways in which children acquire language, how they learn by using gesture and how they develop their social skills by particular work in groups. In this way, the trainee benefits from the latest academic thinking. For example, praising children for their attainment can be counterproductive, while praising them for effort can be much more useful. It is vital that trainees have the time to explore these areas before they dive into the classroom.

Third, universities are best set up to give trainees experience of a wide range of schools. Trainees benefit from two major placements, usually in two very different schools. But they will also have the chance to observe in a number of others. What's more, they can reflect upon their practice between placements. This doesn't happen in a systematic fashion with on-the-job learning.

All the advantages of the university-led approach find their complementary downsides in on-the-job training. Usually, for instance, there just isn't the time for trainees to top up their subject knowledge if they find it deficient. They are already inside the classroom before any subject-specific problems are addressed. Any on-hand experts tend to be too busy teaching to provide lectures in a particular field.

There is also no time to investigate the ways in which children learn in any meaningful academic fashion. Instead, this is meant to be covered by that grand catch-all – observation.

Observation is seldom enough. Without a strong theoretical framework with which to understand how children learn, the trainee is often left floundering and can jump to counterproductive conclusions. For example, the trainee may feel that because a teacher he is observing has great control of a classroom and is able to deliver lectures to a silent class, this is the best method. Alas it is not, but I have seen too many on-the-job trainees become obsessed with controlling classrooms and delivering lectures rather than devising the activities which generate real learning.

On-the-job training can also give trainees a very narrow experience of what schools are like. The coalition is proposing that it will be the outstanding schools which will become the teacher-training centres. Since most of such schools are in relatively well-off areas, trainees at such institutions may glean a very closeted notion of how schools work.

Having taught both in inner-city schools and those in more prosperous areas, I know that just because you might be a good teacher in one type of school doesn't mean you'll be effective in all.

The truth is that too often the poor on-the-job trainee can be neglected in a school setting. This is not because experienced teachers are deliberately cruel but because they're so incredibly busy. I was a head of department for six years and I still feel bad about the way I treated some of the trainees.

They desperately needed more guidance. But I was so busy making sure all the pupils in the school were on track, monitoring my "real" staff and dealing with the constant changes in government policy that I never felt they got the attention they needed or deserved. In contrast, the university-based trainees always seemed more confident because they had the back-up of an academic tutor, who would observe their lessons and offer support.

Some on-the-job trainees find the strain too much. I found one crying in my cupboard. He confessed that he was really struggling with a particular class. I helped him, but I couldn't help thinking that PGCE students wouldn't have been found bent double in tears; before it got to that stage, they would probably talked to their university tutor.

Ultimately, I've found that PGCE students are much more positive because they feel part of a profession, the importance of which cannot be overstated. After a thorough grounding in theory, proper reflection upon their practice and experience of a variety of schools, they leave the course with an often deserved confidence.

In contrast, the on-the-job trainee learns the craft of teaching – the surface techniques that gives one a start – but might never acquire the in-depth knowledge that allows him to improvise. When education secretary Michael Gove speaks of teaching trainees the craft of teaching, he highlights the central problem with his plans: he appears to over-value this "surface" learning.

Ofsted's last annual report noted that the best teacher training happened at universities. Central to its praise is the recognition that the best education systems in the world, such as in Finland, forge close links between schools and universities and that most of our education experts are based at university. I have certainly benefited by returning to further studies – a PhD in education at Goldsmiths College – where I have been amazed by the skills of the education lecturers. Also, and against received wisdom, they've all been actively engaged with schools, conducting vital research which all teachers could gain from as well as contributing significantly to their top-class PGCE courses.

One argument that might have checked Gove's proposals in this time of cost-cutting is that on-the-job training must be expensive. This is partly because if schools want experts to speak to trainees they must buy them in. At university, they are concentrated in one place.

All told, the government's plans to reduce university-based teacher-training is a disaster in the making. set to undermine the most effective way of producing teachers. Where's the logic in that?

Thursday 14 April 2011

A new poem -from the 25th Anniversary edition of The North

To My Cancer


When you left me
I did not say goodbye.


I kissed you
then carried you outside.


You did not leave.
I am still saying goodbye.

 

 

To mark the 25th Anniversary of publishing The North, Peter and Ann Sansom invited 25 poets to write poems of 25 words about important events, private or public, from the last quarter-century.

The above poem will appear in Riddance, my forthcoming book from Worple Press.

This edition of the magazine also includes my review of Jo Shapcott's wonderful Of Mutability.

A new poem -from the 25th Anniversary edition of The North

To My Cancer

When you left me
I did not say goodbye.

I kissed you
then carried you outside.

You did not leave.
I am still saying goodbye.

 

To mark the 25th Anniversary of publishing The North, Peter and Ann Sansom invited 25 poets to write poems of 25 words about important events, private or public, from the last quarter-century.

The above poem will appear in Riddance, my forthcoming book from Worple Press.

This edition of the magazine also includes my review of Jo Shapcott's wonderful Of Mutability.

Tuesday 12 April 2011

John Walsh on the Arts Council cut to the Poetry Book Society

You won't, I suspect, get many hoodied and snarling protesters attacking policemen with Molotov cocktails at the news that the Poetry Book Society has lost its Arts Council of England grant. But that doesn't stop it being a disgraceful decision by the ACE's Literature Department. They didn't just reduce the Society's meagre annual lifeline of £111,000. They withdrew it completely. They didn't just prune this tender shrub. They scythed through it at the roots. The PBS isn't some quango, like the Egg Advisory Council or the Milk Marketing Board, dreamt up by Sir Humphrey Appleby to give a sinecure to his cronies. It's an important part of our culture. If poets have traditionally accounted for a quarter of the writers, from Chaucer to Carol Ann Duffy, who embody what we mean by English literature, it's vital that an organisation dedicated to the promotion of its finest flowerings should be kept alive. The Poetry Book Society was set up in 1953 by the Arts Council at the suggestion of Stephen Spender, with TS Eliot and Basil Blackwell as its original directors. Eliot, who once described poetry as "merely a higher form of entertainment", would have appreciated the Society's role as a kind of upscale cheerleader. The function of its "selectors" was to recommend one poetry collection every quarter to its members, plus a few other endorsements of worthwhile books. For nearly 60 years, the PBS's distinguished judges (Philip Larkin was chairman in the 1980s) have steered the nation's poetry-lovers towards the best stuff around. The Society also runs the TS Eliot Prize, the most important poetry prize anywhere, endowed by the great man's widow, Valerie. On the day before the prize is awarded, every January, the poetry world turns out in force to hear the 10 short-listed bards declaim their works. This year saw the biggest audience in its history – 900 people crammed the Festival Hall to hear Simon Armitage, Fiona Sampson and their peers. Market-fixated malcontents may argue that, if poetry were sufficiently popular with the reading public, enough money would change hands in shops and at festivals to make public subsidy unnecessary. Why should public cash subsidise work that only a small percentage of readers read? To which one can only reply: it's always been like this. Poetry has always been a minority interest, because it's difficult. It's not to be gulped down on a flight or devoured on the beach at Formentera. It's not to be consumed like a thriller or fantasy novel, or heard and dismissed in three minutes, like a song. It deals in specialised language which it takes time and patience to decipher, whether it's "On His Blindness" or "Kubla Khan" or "The Waste Land." Partly as a result, poetry tends to lurk at the back of the bookshop, along with the erotica and the Bibles. It's not made widely available, it's badly publicised by publishers and it seldom troubles the bestseller lists. Poets themselves – strange, perverse beings – have an ambivalent attitude to making money. "I have always believed that poetry was a grace in my life," Seamus Heaney once said, "a total sweetness and extra-ness, and that it wasn't to be used as a meal ticket." It remains, despite these economic privations, the highest form of expression in our culture, the finest words in the finest order, the breath of Parnassus, the secret rhythms and buried meanings of our individual and collective lives. The Poetry Book Society has for 57 years kept us up to speed about our finest home-grown poets, and rewarded them every year. It should not be removed from existence by a single ignorant stroke of the Arts Council's pen.

Saturday 2 April 2011

Phonics knocked off perch by official review -by Helen Ward in the TES

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Phonics knocked off perch by official review

News | Published in The TES on 1 April, 2011 | By: Helen Ward

Findings contradict ministers’ policy

The role of phonics in teaching early-years children to read should be downgraded, according to a major Government-commissioned review.

In contrast to the Government’s promotion of phonics, reception teachers should use a wide range of approaches when preparing children to read, a review of the early-years foundation stage (EYFS) published this week recommended.

Dame Clare Tickell, who led the review, has recommended that assessing five-year-olds on their ability with phonics should be scrapped. Instead, children should be tested only on how good they are at reading.

The proposals appear to be a stark contradiction of Government plans to introduce a test of children’s phonics skills in Year 1 as a stand-alone skill. Ministers are pressing ahead with the plans, despite opposition from teaching unions.

Bernadette Duffy, head of Thomas Coram Early Childhood Centre in London and a member of the review panel, said phonics - the linking of sounds and letters - had been a successful strategy, but improvements in reading had lagged behind.

“If you look at the early-years foundation stage profile results, linking sounds to letters has gone up, but that has not necessarily been matched by a similar increase in children’s reading,” she said.

“This change will help practitioners remember there is more to reading than simply encoding and decoding the letters and sounds.”

In the past three years, the percentage of children at the expected phonics level has risen from 76 per cent to 81 per cent, while the corresponding rise in reading has been from 85 per cent to 87 per cent.

Phonics remains in the new early-learning goals recommended by the review, including using phonic knowledge to “decode” words, but there is an explicit recognition that other strategies are important.

Evidence to the review said that phonics alone is not the best way to develop reading skills for all children.

Phonics consultant and trainer Debbie Hepplewhite said she was worried the recommendations would “muddy the waters”. “It would be a sad thing if it was an underhand endorsement of searchlights (using several strategies at once to teach reading) in any way,” she said. “That would be a backwards step.

“Teachers should be doing a linking sounds and letters assessment because it comes before reading.”

David Fann, head of Sherwood Primary in Preston, said: “This worry that if you don’t test for phonics it won’t be taught well is not going to happen. I demand phonic skills are taught but I also demand other reading skills are taught as well.”

Elsewhere, the Tickell Review recommended a number of other significant reforms in a bid to simplify the EYFS. The profile completed at the end of the Reception year, criticised as a tick-box exercise, would be shrunk from 117 to 20 points and the early learning goals slashed from 69 to 17.

Independent schools will also be allowed to opt out of the EYFS, which has been compulsory in all state and private schools and nurseries since 2008.

The Government has yet to respond to the review’s recommendations and a formal response is not expected before the end of April. Any changes made will be brought in from September 2012.

Children’s minister Sarah Teather said: “It will take some time to go through the detail of the recommendations and how we are going to respond to them but the broad thrust of everything Clare has said is very much in keeping with what the Government wants.”

Wood a child tawt to reed using phonix alone notis anything wrong with this hedline?-by Olivia O'Sullivan in the TES

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Wood a child tawt to reed using phonix alone notis anything wrong with this hedline?

Comment | Published in The TES on 1 April, 2011 | By: Olivia O'Sullivan

Synthetic phonics has become a central plank of the Government's policy for teaching reading. But I fear that an overemphasis on phonics may already be proving a disadvantage for some pupils in spelling.

Synthetic phonics is based on teaching the 44 sounds (or phonemes) of the English alphabetic system. This should, its most fervent supporters argue, be taught before a child has any contact with books or is "taught" whole words.

While agreeing that children should be helped to acquire a good knowledge of letter-sound relationships early on, I believe the synthetic phonics policy may encourage teachers to place too narrow an emphasis on a single aspect of spelling.

I have seen pieces of writing from hundreds of children as co-director of the Power of Reading project at the Centre for Literacy in Primary Education, which works nationally with more than 60,000 children. From this research, I have noticed a growth in "phonetic" spellings from both young and older primary children, and uncertainty from teachers on whether and how to intervene on spelling in their writing.

At the centre I have also been co-researcher on a spelling study, which tracked the development of more than 30 children over three years. Hundreds of writing samples were analysed, lessons observed, and children and teachers interviewed.

A major focus of the study was the substantial number of competent readers as they progressed towards the top of key stage 2 who had problems with spelling. A feature of these children's work was that they did not seem to notice many of the visual patterns of English spelling and continued to use a phonetic approach. For example, Jonathan in Year 5 wrote, as he described Henry VIII: "He wears a cloack (cloak), tunic, tites (tights), a hat, rope belt and Julry (jewellery)." Although he wrote with confidence, Jonathan had difficulties in choosing the "right" pattern for words - usually choosing the phonetic option, as in "tites" or failing to make the connection with the root word - Julry.

Similarly, in a typical piece, a Year 5 child wrote: "He was of avrage hight wering a wight jumpr and a pear of trainrs." Here, the child is mostly writing words as they sound, rather than recognising, for example, the common "er" ending in "jumper" and "trainer", and making the wrong choices about letter patterns - largely a visual issue. Older children with difficulties tend to see each word as a separate unit - using "sounding out" as their main strategy for spelling words they don't know.

Most very young children use a phonetic approach as a basic early strategy in writing and spelling - drawing on the sounds they can hear in words and matching these to letters and letter patterns they know. Currently, however, I am noticing greater numbers of young children using a "sounding out" approach to spelling words that would normally be known by sight. I recently saw pieces of writing from Year 2 where several children had written "Iyam" for "I am" and "Deya" instead of "Dear" to begin a letter - words that are among the most commonly written by children. It is important that teachers encourage children to draw on words they know by sight and patterns that they have noticed visually in words, as well as the sounds they can hear.

Learning to spell in English is more complex than in some phonetically regular languages such as Spanish or Finnish. In English, there are many variations in the way that letter patterns look and sound. Michael Rosen's poem Hints on Pronunciation makes the essential point:

Beware of heard, a dreadful word

That looks like beard and sounds like bird

And dead: it's said like bed, not bead -

For goodness sake don't call it "deed"!

In other words, spelling in English is intimately tied up with word meanings and their use. As in any language, for that matter, words are more than collections of sounds - and individual phonemes and letters only take us a small part of the way in learning about words, and their spellings.

We know from research that, as well as individual sounds and letters, children need to know about patterns within words. "Analytic phonics" is often wrongly characterised as "teaching whole words" and then getting children to break them down. What this perspective ignores is that children start their education already knowing and recognising the sound and look of a wide range of words. Children's familiarity with rhymes and rhyming patterns is useful not only for their reading but also for their spelling.

Synthetic phonics does have a role to play in children's spelling, but so does analytic phonics, so do words that children know, so does what children can remember visually and their growing awareness of common letter strings and patterns, so does a growing knowledge of word meanings, their origins and grammatical features of spelling.

The most successful teachers in our study had a range of ways of helping young children build up a store of words they could spell - word games, compiling a class book of "words we can spell", encouraging even young children to read their own work and, most importantly, drawing children's attention to the look of words and the different ways sounds can be represented.

Teachers also had the confidence to strike a balance between encouraging children to try out words in their writing and providing support and encouragement to work on their misspellings - according, of course, to children's age and experience.

Olivia O'Sullivan is writing in a personal capacity. She is co-author with Anne Thomas of Understanding Spelling (Routledge), available at www.clpe.co.uk.